Oct 16

The inspiration behind California Stripes: Montecito

The four designs in the California Stripes collection are named after some of Mark D. Sikes’ favorite places in CA. We asked to Mark provide his vision for each pattern, and the reason he finds each location inspiring.


What do you love about Montecito, CA?

Montecito is the most relaxing place. When I think of it I think of the beach, Mediterranean estates, ficus lined streets, days filled with afternoon naps and evenings of candlelit dinners.

What do you love about our Montecito design?

I love the use of three colors and the spacing of the stripes. We really worked hard on creating a pattern that’s not only interesting but very authentic.

Where do you envision the Montecito rug looking best?

I love it in a formal dining room surrounded by chintz, velvets and trims. Very unexpected and very chic.

What is your favorite colorway of Montecito?

Definitely the Chambray, the shades of blue with the blush accents is riveting.

View all colorways of Montecito >

Oct 16

Join Us at Field + Supply: A Q+A with founder Brad Ford

Founded by renowned interior designer Brad Ford, Field + Supply is back for its third year, over Columbus Day Weekend in Stone Ridge, New York. Field + Supply is a modern makers design fair in the Hudson Valley, featuring a carefully curated selection of artisans, highlighting hand-crafted goods, old and new, from a variety of studios and workshops … plus incredible local food, drink, music and more.

Come find us in booth #9 on October 7 – 9.

We asked Brad about the inspiration behind Field + Supply, what he looks for in partners and vendors, and how the fair reflects his own design philosophy.

What inspired you to start Field + Supply?

I grew up in a small town in Arkansas and as a kid I always looked forward to the annual Arts and Crafts fair. I loved being surrounded by so many creative people and seeing their latest designs. I also liked that it was an experience….it was very social. As an adult, I longed for that same feeling but my taste level had become a bit more elevated. I’ve been doing high-end interior design work in the city for almost twenty years and I really wanted to combine the idea of where I came from with where I am now.  With that in mind, I wanted to create a similar experience to the fairs I have such fond memories of but in a new carefully curated context. I’ve met a number of crafts people and furniture designers in both the city and the Hudson Valley over the years and I thought it would be fun to bring some of my favorites together in one spot.

What makes New York City and the Hudson Valley an ideal destination for a high end crafts and design fair?

There’s a significant number of craftspeople upstate who I believe are taking craftsmanship to another level. I thought it would be interesting to gather a few of these makers along with some others from Brooklyn and Manhattan and give them the opportunity to showcase their work together in a new context and in one place. The Hudson Valley is also such a beautiful backdrop for this type of work. The landscape is lush with so many breathtaking vistas and it’s so complimentary to the organic nature of this furniture.

What are you most looking forward to this year at F+S?

lt’s always such a fun weekend, but this year we’re hosting several events to add to the overall experience including a cocktail party, a bonfire, dinners and even a biscuit buffet Sunday morning. I’m especially looking forward to the dinner at Ravenwood. The owners Dana and Chris are such great hosts and really know how to entertain. Chris is also an incredible chef so I know the food is going to be delicious!

What do you look for in a Field + Supply vendor?

I look for people whose work I’ve always admired and who have the right balance of artistry and innovation in their craft. Most of them are designing more modern forms, but using traditional craft techniques. I’m also drawn to work that has a certain timelessness about it and can be passed on from generation to generation. Lastly and most importantly, I like working with nice people!

In what ways is Merida a good partner for Field + Supply?

I’m so happy to have Merida be a part of this year’s fair. I think we both share a tremendous amount of respect for artisans and the work they create. There’s so much value in products that are made or finished by hand and I love that Merida not only appreciates it but also recognizes it. They understand the value not just with their product, but with the design team, the craftsmen and the weavers who are actually behind it. I think we all appreciate beautiful design, but it’s just as important to support the people responsible for it and I know Merida is incredibly supportive and proud of their community.

How does Field + Supply reflect your own design philosophy?

I like a room that feels modern and soulful and nothing’s more soulful than something made by hand. When you think about the time, dedication, and technique it takes to make one piece of furniture, it’s incredible. So for me, when you bring something like that into a room it automatically brings much more meaning into the space.

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Sep 16

A Collaboration Is Born: A conversation with designer Mark D. Sikes

Fashion designer, interior designer, and blogger, Mark D. Sikes brings his spirited take on California living to his first rug collection, created in collaboration with the Merida design team. We chatted with Mark about the inspiration behind the California Stripes collection, his roots in fashion, and his lifelong obsession with stripes.

What role do rugs play in your projects?

Rugs play a huge role for me. They’re the beginning of a scheme and set the foundation of every room. I’m not the kind of designer that starts with a big antique rug. I tend to gravitate toward natural fiber rugs, or something like a striped dhurrie – which is what this collection is all about. I also like to layer rugs, a natural fiber with a different style of rug on top.

Presidio Chocolate

Why do you source Merida rugs for so many of your projects?

I use a lot of different rugs and Merida’s product far exceeds most of the competitors out there. Seeing how Merida develops their rugs, I have a better appreciation for the quality of their yarns and their craftsmanship, and also the value of their expertise. They’re problem solvers and will work with you to figure things out, and for a designer it’s important to have that collaboration. There’s a high level of client service that’s just part of their brand.

How do the dhurries in this collection compare to traditional handwoven dhurries?

We wanted to capture the look of a vintage dhurrie, but thicker, more durable. When you look at the construction, the quality of the wool yarns, these rugs are made to last. We worked hard to get the details right – the colors, the striations and shade bands, and the finishing. The end result is a collection that is timeless and beautiful.

Palisades Denim

Where do you see designers using these rugs in their projects?

I genuinely believe they work in any space, and in any location in the country. They look great layered in a bedroom, as a foundational rug for a family room, as runners in hallways. The collection has a lot of range and the rugs are incredibly versatile. They’re alive, they’re happy, and they’re very cool.

Montecito Chambray

Montecito Chambray

What surprised you most about the process of creating a rug collection?

Working with Merida on this, I’ve come to appreciate all the detail that goes into it. Just the steps involved in getting a color exactly right can be a very long process. I will never look at a rug the same way again. As a designer it was important to be a part of that process, and I also think it’s important for consumers to understand how much is involved to create a rug of this quality.

What was it like collaborating with the Merida design team?

What impressed me most from the beginning of the process is how creative it was. I was very inspired by the way they accumulated inspiration to visualize what a collection could be. After an initial conversation with their creative director, Roxanne Hanna, she and her team presented mood boards. I love mood boards and I really liked how the creative conversation started. Throughout the collaboration the creative process was always at the forefront.

Their design process is also very structured and organized. There’s a lot of communication, and we always had integration points where we shared ideas and would tweak things. I appreciate structure because I tend to work that way as well. I was focused on the aesthetic and the look, and working with Merida I knew I could count on them for the quality, the durability and the value the rugs provide.

Brentwood Red

What was the inspiration for the collection?

The collection is very much inspired by traditional dhurries, which I started gravitating towards about ten years ago. I buy vintage dhurries and tend to use them a lot in projects. I layer them, cut them, make runners out of them. A lot of images in my new book (Beautiful: All-American Decorating and Timeless Style) were taken prior to my collaboration with Merida, and you see me using these types of rugs in many different ways, whether it’s casual or formal, east coast or west coast.

One source of inspiration was a photograph of a Billy Baldwin room – at Villa Fiorentina, on the Mediterranean in the south of France – with all this blue furniture and a huge striped dhurrie in the center of the room. The photo was taken more than forty years ago, but the room looks great today and will look great forty years from now.

Image Billy Baldwin Remembers via Peak of Chic

Stripes are a big part of your brand. What does a stripe do for you?

Anyone who knows me knows I love stripes, in both fashion and interiors. Stripes are season-less… timeless and classic. There’s a graphic nature to it that works with everything. It can work with a floral print or a batik. Stripes go with anything and there’s something appealing about it that makes a room approachable.

Palisades Denim

How does your fashion background inform your interior design approach?

Working in fashion you learn so much about solid and print, hard and soft, classic and trend – that all relates to interior design. And the way you merchandise or lay out a store is similar to how you would do a living room. The fundamentals are the same.

Presidio Chocolate

As a designer, what’s most important to you in a partner?

Besides the quality of their rugs, what attracted me to Merida was the integrity of the company and the people. When I first met [CEO and owner] Catherine Connolly and [creative director] Roxanne Hanna, there was this feeling that there was a common sense of who we all were. And that’s a special thing that’s hard to translate. There’s a genuine spirit to what they do that’s really important, and that spirit comes across in the finished product.

Brentwood Red

Explore California Stripes

Sep 16

A Refined Retreat in Upstate New York – Q&A With Designer Brittany Bromley

When an energetic city-dwelling family needed to cement a permanent country retreat, they sought the help of Brittany Bromley Interiors to make their new place feel like home away from home. With a blend of classic and modern style and an eye towards functionality, Brittany Bromley gave this architecturally charming home an elegant and energetic design. We caught up with Brittany to see what makes her tick and to take a closer look at this beautiful Upstate New York project.

Where do you draw inspiration from to start your design process?

From the beginning, I take classical and traditional design ideas and try to infuse them with modern functionality that reflects my clients’ personalities. In my own design ethos I am extremely drawn to symmetry, but I am also aware that too many pairs begins to feel a bit like Noah’s Ark. So I try to offset each of those pairs with an occasional chair, stool or something that throws off the balance of the room and gives it interest.

Featuring a Bora Bora jute rug.

I love the idea of taking the eye on a journey around the room. Having things at high and low levels is important for that to be a satisfying journey. Last but not least I never forget to include some “life” in every room that I design. I am a huge believer in greenery and plants—mother nature is the world’s finest Designer and I adore including her work in anything that I design.

Featuring Tonga Deep Sea.

How did the architecture and character of the house help inform your design choices?

This is a home with lots of natural light and that is the greatest gift of all. We can do lots of things with our magic bag of tricks as designers, but one thing we cannot change is the architecture. Having that as a starting platform on which to build is always ideal.

Featuring a custom Catalyst wool & linen rug.

My clients have three young children and the architecture of the house plays well to having breezy rooms suffused with a casual elegance. The high ceiling height allowed us to really play up wall and window treatments, and use both as punctuation for the furniture in the rooms. Also, many of the rooms on the first floor open with high and wide doorways so the color palette needed to make sense from one room to the next.

What role did our rugs play in your design process?

Merida is where I turn to first for floor coverings on any project. Their selection of both natural fiber and wool rugs is unparalleled and rugs are the foundation for any room. I am also a big believer in supporting the artisanal craftsmanship Merida is known for, and I love their idea of merging technology with traditional forms of weaving to create designs that are exceptional but that still put quality and integrity first.

Featuring Antwerp Belgian Linen.

In this instance we knew we were going to have a lot of textural and graphic wall treatments on the first floor and so the rugs in those rooms needed to be bold enough texture-wise to stand up to the wall treatments, but not so bold that they would begin to take away from some of the pattern play.

Featuring Tonga Deep Sea

As there’s no separation between the dining room and the front parlor we needed to have something that would visually work with the design in both of those rooms. We settled on the very graphic textural nature of the sisal because it is sophisticated enough to work with our silk covered French chairs, but rustic enough that it doesn’t put our 18th century Swedish Gustavian dining table to shame!

Featuring Antwerp Belgian Linen.

Featuring Antwerp Belgian Linen.

Perhaps the most important and agonizing decision we made in the house design as a whole was that of the staircase and hallway runner. After much deliberation we eventually settled on a custom colorway of Merida’s Catalyst rug.

This rug allowed us to unite the color scheme of the public areas in the first and second floors and also served as the graphic punch that one sees upon entering the home. It’s youthful, fun and sophisticated, which happen to be exactly the words that I would use to describe this young family. And of all of the many design choices that we made in this beautiful home, it is the one that is most remarked upon and continues to be what everyone compliments.

What was your favorite room or vignette to design?

Honestly the entire house was really a joy, but if I had to pick one room in particular it would be the master bedroom. My clients live primarily in the city and, as all of us former city-dwellers do, they spent very little time in their bedroom due to its size.

Featuring Cortina Avalanche wool & sisal rug with a fireplace cut-out.

Country living brings a much slower pace of life, so I was very focused on creating a beautiful sitting area in the master bedroom where this couple could retire to read the paper or do other leisurely activities. The restful colors of pale celadon, pale coral and cream suffuse this room with a calming energy, and the ample sitting area makes the room feel well appointed.

My clients adore the end result, and so do I, it’s a tranquil retreat from the hectic life of a young family—which is truly the ultimate gift!

Who or what has been your greatest influence as a designer?

I was very fortunate to be raised in beautiful homes by extremely aesthetically minded parents who were constantly collecting and curating. It was an inspiring environment to grow up in and it gave me what we laughingly call a high quotient for “everyday beauty!”

Some of the designers whose work I am most inspired by are Alessandra Branca, Tom Scheerer, Mary McDonald, and Thomas Britt.

What energizes you?

I love the idea of being able to help people live the way that they aspire to live. Everyone is different, and the home in which each individual wants to live is extremely specific to that person. I love that I get to be the interpreter, and to take each of those specific wants and needs and translate them into an environment in which they feel like the best version of themselves.

All photos by Jane Beiles


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